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Vialka
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玛丽莉斯•佛莱舍维纳 (Marylise Frecheville) - 打击乐器 & 主唱 \u002F 埃里克•博罗斯 (Eric Boros) - 吉他 & 合声\n早在本世纪初，玛丽莉斯(Marylise Frecheville)和埃里克(Eric Boros)这对活力四射的夫妻二重奏，就开始在这个星球上进行着自由音乐的环球旅行了。Vialka的音乐仿佛在吉普赛民间歌谣中混入了朋克元素，而他们七年间走遍世界每一个角落的生活方式也能让你们感觉到耳目一新。最初，Vialka在瑞士组成了爵士朋克三重奏NNY，之后还组过一支叫“隐士 (HERMIT)”的乐队，而NNY的节奏风格和HERMIT的实验\u002F噪声，现在都融入了Vialka的音乐元素之中。在旅行间隙，他们曾在瑞士、斯诺文尼亚、以及加拿大居住过，而如今，他们住在他们的家乡——法国。\nMarylise 的吟唱和疯狂的鼓点交织着Eric的布鲁斯中音吉他演奏，这就是Vialka的音乐。他们的风格受到世界各地传统音乐和现代音乐的影响——如此的疯狂和投入，散发出令人心花怒放的能量，用自己独一无二的音乐语言和幽默感表达着他们对生活的渴求和诠释。在发行了头两张专辑《今夜我操你（Tonight I Show You F**k, 2002）》和《已经厌倦了的和令人厌倦的共和国（Republic Of The Bored & Boring, 2003）》之后，Vialka发行了一张记录乐队头五年音乐历程的DVD——《若即若离（Everywhere and Nowhere, 2004）》。接着，他们的新专辑《大众文化的好奇心（Curiosities of Popular Customs, 2005）》问世，这是由Bob Drake在法国南部比利牛斯区的工作室里录制的，也是Vialka第一张标准模式的专辑。2006年，他们推出了与Kruzenshtern I Parohod——那支令人惊叹不已的以色列独立爵士硬核乐队——共同录制的合辑，这张合辑也是与以色列著名独立音乐组织“Auris Media”合作完成的。今年夏天，他们发行了乐队的最新专辑《欲速则不达（Plus Vite Que La Musique, 2007）》，这也是Bob Drake第二次为Vialka录音。另外，Vialka的所有专辑与DVD均是在他们的独立厂牌“VIA”名下发行。\nVialka 不是一个音乐组合，也是一个社会科学实验。他们尝试着与世界各地优秀的非主流音乐家和艺术家们打交道；他们是无政府主义者，对暗无天日的独裁统治和君主专政，以及凄凉阴冷的殖民地，有着独特的兴趣。\n他们平均每年演出百余场，足迹遍及欧洲、非洲、北美、亚洲，多达45个城市。与其合作过的音乐人包括：意大利萨克斯风演奏家杰克普-安德瑞尼(Jacopo Andreini)，马其顿艺术家团体OPA，法国电影摄影师洛朗-瓦雷(Laurent Varlet)，瑞士电影摄影师塞巴斯廷-里昂德(Sébastien Riond)，法国设计师塞德瑞-卡雷(Cédric Carles)，中国朋克乐队死逗乐(SDL)，前CAN乐队的传奇日籍歌手达摩铃木(Damo Suzuki)，以及新西兰鼓手克耶兰?蒙纳翰(Kieran Monaghan)，等等等等。在中国巡演期间，也和美好药店、东子、顶楼马戏团、肆佰击等民谣艺术家和朋克乐队们同台演出过。\n埃里克(Eric Boros) 音乐生涯的开端要追溯到他的学生时代，年轻的时候，他曾是校乐队的小号手。但自那时起，他就开始在不同国家的舞台上进行表演，而且参与了许多录音制作—— 尽管他曾在一次愤怒中将自己的小号折断。Eric自己学习创作和即兴，他将弦乐和电吉他的声响效果进行不同方式的混合，并使自己不和谐的唱声带有叫春效果。尽管他宣称自己的生活不需要电器和任何现代化工具（除了一个太阳能短波收音机和他的吉他音箱与效果器之外）。虽然在电子方面Eric实在是一窍不通，但他就是在这种条件下创造出一些小型的电子设备用来产生伴奏频率，为自己的合声增色，并逐渐成为一个实验音乐家的。Eric曾经住在一个与世隔绝的小岛上（或者一座大山里），但他经常乘着爱斯基摩人的皮筏子出游。现在，Vialka也是使用着一切可以使用的交通工具不知疲倦地进行着巡回演出。他是一个真正和新鲜空气融为一体的人，一个喜欢读书品茶的不羁的和平主义者，一个为女儿而骄傲的父亲。\n玛丽莉斯 (Marylise Frecheville) 第一次上台表演是在她三岁的时候，而自那时起，她就情不自禁地沉溺其中——你完完全全可以感受出，这是她与生俱来的天赋，从她的骨子里散发出来。在音乐方面受过舞蹈、发声、戏剧、钢琴等正统训练后，玛丽莉斯加入了一支少年车库朋克乐队——“反叛不需要理由”，在其中担任键盘手，并唱那些主调以外的不和谐音。到了后来，她开始在这支乐队里打爵士鼓。她喜欢钻研新艺术主义建筑学，画迷幻色彩的素描，追逐野兔子，喝酒喝到脑子坏掉，然后，她又可以回到舞台上来。Marylise患有较严重的选择性记忆症，但这并没有影响到她在音乐方面的才能，她有多产的创作天赋，擅长作词和编舞，表演能力很强，打着节奏复杂的鼓点，而且吟唱的时候极富魅力。Marylise同样也是个为女儿感到骄傲的母亲，喜欢用奶酪做食物，走路健步如飞，而且她敏锐的逻辑判断能力和批判性思想令她远近闻名。\nVialka hail from deepest France, via everywhere and nowhere. They are a devilishly high-spirited guitar\u002Fdrums duo who tour hard and fast across the world. Their music skips joyfully across borders, channeling desert blues, Chinese folk songs, scatter rock and European gypsy song dynamics in a whirlwind of dervish energy. Their endless gypsy punk folk rock tales, hard hitting poly-rhythms and yelps and howls make for a danceable and intoxicating brew. Like A Hawk And A Hacksaw or The Ex their openness to new sounds and cultures makes you feel alive and shows that 'world punk rock' need not be a dirty phrase.\nThe dynamic duo of Marylise Frecheville and Eric Boros have been lugging their nomadic turbo folk sound and modus vivendi all over the planet since the turn of the century, originally as the rhythm section of the performance striptease jazz-punk trio NNY, and since 2002 as Vialka. They have resided in Switzerland, Slovenia, Canada, and are currently calling a remote village in France their home between tours. Deriving its influences from traditional and modern underground music from around the globe, Vialka's music is based on the frenetic interaction between Marylise's syncopated drumming and singing and Eric's orchestral guitar playing - and is delivered with ecstatic energy, humor, lust for life, and a sophisticated musical language and subliminal connection all their own.\nAfter releasing their first two albums "Tonight I Show You F**k" (2002) and "Republic Of The Bored & Boring" (2003) on the mysterious Manufracture label, they founded the "VIA" nonprofit cooperative for the production and promotion of working artists (officially the Vialka Association 1901) and henceforth began releasing their own material: "Everywhere And Nowhere" (2004), a video documenting their work together over the first five years; "Curiosities Of Popular Customs" (2005), their first full-length recording; a split disc with the Israeli "klezmercore" combo Kruzenshtern I Parohod (2006 - co-released with Auris Media in Israel); "Plus Vite Que La Musique" (2007); and their latest album "Succès Planétaire International" (2009 - co-released with Dual Plover in Australia) - their third recording with Bob Drake.\nVialka is not just a musical project, but a social scientific experiment, attempting to meet, communicate and work with extraordinary and little known musicians and artists from everywhere and nowhere - with particular interest in polluted dictatorships, bleak colonies, and monarchic democracies. They have toured extensively in over fifty countries (100+ concerts per year) across Europe, Africa, North America and Asia, and have collaborated with Chinese musician Xiao He, French mbira player\u002Fdrummer Andrew Dymond, Italian saxophonist Jacopo Andreini, Macedonian artist collective OPA, Swiss cinematographer Sébastien Riond, French eco-designer Cédric Carles, the legendary former-CAN singer Damo Suzuki, and New Zealand drummer Kieran Monaghan.\nEric Boros (Erik Boroš) began his musical career as a school fanfare trumpetist at a early age. Since then he has performed numerous times in many different nation states around the world, and has participated in a plethora of phonographic recordings - despite having crumpled his trumpet long ago in a fit of rage. Self-taught composer and improviser, he plays baritone and standard acoustic and electric guitars, jaw harp, and is notorious for his dissonant vocal crooning and caterwauling. Although he claims to live without electricity or any modern appliances (other than his solar-powered shortwave radio and guitar amplification devices), he is an atavistic electrician, and has used this unskill to construct electronic gadgets to generate accompaniment frequencies to his symphonic pieces. Boros is reputed to be living in seclusion on an island (or is it a mountain?), but travels regularly by kayak, bicycle, train, and various other forms of public transportation for Vialka repetitions and tours. He is a proud parent, breath-air-ian, book reader, practicing pacifist, and tea-drinker.\nMarylise Frecheville was put on stage when she was three years old and became addicted to it. After questioning her academic training in dance, drama and piano, she joined her first "rebel-without-a-cause" teenage garage band in 1993 - playing keyboards, singing out-of-tune, and eventually beating the skins. After delving in Art-Nouveau architecture (with a degree from Lille Régions Nord University of Architecture, France), running after rabbits, and boozing until brain failure, she returned to the stage on drums and classical percussion (studies at the Victoria Conservatory of Music, Canada) - constantly pushing insanity and constipation further away. Frecheville suffers from an acutely selective memory, but this this has yet to prevent her from being extremely prolific; composing music, writing lyrics, rehearsing, improvising, and performing her lurid dances, intricate drum beats, and bewitching serenades with Vialka on a near daily basis. Marylise is also a proud parent, enjoys cooking with cream, and is an avid walker.
玛丽莉斯•佛莱舍维纳 (Marylise Frecheville) - 打击乐器 & 主唱 \u002F 埃里克•博罗斯 (Eric Boros) - 吉他 & 合声\n早在本世纪初，玛丽莉斯(Marylise Frecheville)和埃里克(Eric Boros)这对活力四射的夫妻二重奏，就开始在这个星球上进行着自由音乐的环球旅行了。Vialka的音乐仿佛在吉普赛民间歌谣中混入了朋克元素，而他们七年间走遍世界每一个角落的生活方式也能让你们感觉到耳目一新。最初，Vialka在瑞士组成了爵士朋克三重奏NNY，之后还组过一支叫“隐士 (HERMIT)”的乐队，而NNY的节奏风格和HERMIT的实验\u002F噪声，现在都融入了Vialka的音乐元素之中。在旅行间隙，他们曾在瑞士、斯诺文尼亚、以及加拿大居住过，而如今，他们住在他们的家乡——法国。\nMarylise 的吟唱和疯狂的鼓点交织着Eric的布鲁斯中音吉他演奏，这就是Vialka的音乐。他们的风格受到世界各地传统音乐和现代音乐的影响——如此的疯狂和投入，散发出令人心花怒放的能量，用自己独一无二的音乐语言和幽默感表达着他们对生活的渴求和诠释。在发行了头两张专辑《今夜我操你（Tonight I Show You F**k, 2002）》和《已经厌倦了的和令人厌倦的共和国（Republic Of The Bored & Boring, 2003）》之后，Vialka发行了一张记录乐队头五年音乐历程的DVD——《若即若离（Everywhere and Nowhere, 2004）》。接着，他们的新专辑《大众文化的好奇心（Curiosities of Popular Customs, 2005）》问世，这是由Bob Drake在法国南部比利牛斯区的工作室里录制的，也是Vialka第一张标准模式的专辑。2006年，他们推出了与Kruzenshtern I Parohod——那支令人惊叹不已的以色列独立爵士硬核乐队——共同录制的合辑，这张合辑也是与以色列著名独立音乐组织“Auris Media”合作完成的。今年夏天，他们发行了乐队的最新专辑《欲速则不达（Plus Vite Que La Musique, 2007）》，这也是Bob Drake第二次为Vialka录音。另外，Vialka的所有专辑与DVD均是在他们的独立厂牌“VIA”名下发行。\nVialka 不是一个音乐组合，也是一个社会科学实验。他们尝试着与世界各地优秀的非主流音乐家和艺术家们打交道；他们是无政府主义者，对暗无天日的独裁统治和君主专政，以及凄凉阴冷的殖民地，有着独特的兴趣。\n他们平均每年演出百余场，足迹遍及欧洲、非洲、北美、亚洲，多达45个城市。与其合作过的音乐人包括：意大利萨克斯风演奏家杰克普-安德瑞尼(Jacopo Andreini)，马其顿艺术家团体OPA，法国电影摄影师洛朗-瓦雷(Laurent Varlet)，瑞士电影摄影师塞巴斯廷-里昂德(Sébastien Riond)，法国设计师塞德瑞-卡雷(Cédric Carles)，中国朋克乐队死逗乐(SDL)，前CAN乐队的传奇日籍歌手达摩铃木(Damo Suzuki)，以及新西兰鼓手克耶兰?蒙纳翰(Kieran Monaghan)，等等等等。在中国巡演期间，也和美好药店、东子、顶楼马戏团、肆佰击等民谣艺术家和朋克乐队们同台演出过。\n埃里克(Eric Boros) 音乐生涯的开端要追溯到他的学生时代，年轻的时候，他曾是校乐队的小号手。但自那时起，他就开始在不同国家的舞台上进行表演，而且参与了许多录音制作—— 尽管他曾在一次愤怒中将自己的小号折断。Eric自己学习创作和即兴，他将弦乐和电吉他的声响效果进行不同方式的混合，并使自己不和谐的唱声带有叫春效果。尽管他宣称自己的生活不需要电器和任何现代化工具（除了一个太阳能短波收音机和他的吉他音箱与效果器之外）。虽然在电子方面Eric实在是一窍不通，但他就是在这种条件下创造出一些小型的电子设备用来产生伴奏频率，为自己的合声增色，并逐渐成为一个实验音乐家的。Eric曾经住在一个与世隔绝的小岛上（或者一座大山里），但他经常乘着爱斯基摩人的皮筏子出游。现在，Vialka也是使用着一切可以使用的交通工具不知疲倦地进行着巡回演出。他是一个真正和新鲜空气融为一体的人，一个喜欢读书品茶的不羁的和平主义者，一个为女儿而骄傲的父亲。\n玛丽莉斯 (Marylise Frecheville) 第一次上台表演是在她三岁的时候，而自那时起，她就情不自禁地沉溺其中——你完完全全可以感受出，这是她与生俱来的天赋，从她的骨子里散发出来。在音乐方面受过舞蹈、发声、戏剧、钢琴等正统训练后，玛丽莉斯加入了一支少年车库朋克乐队——“反叛不需要理由”，在其中担任键盘手，并唱那些主调以外的不和谐音。到了后来，她开始在这支乐队里打爵士鼓。她喜欢钻研新艺术主义建筑学，画迷幻色彩的素描，追逐野兔子，喝酒喝到脑子坏掉，然后，她又可以回到舞台上来。Marylise患有较严重的选择性记忆症，但这并没有影响到她在音乐方面的才能，她有多产的创作天赋，擅长作词和编舞，表演能力很强，打着节奏复杂的鼓点，而且吟唱的时候极富魅力。Marylise同样也是个为女儿感到骄傲的母亲，喜欢用奶酪做食物，走路健步如飞，而且她敏锐的逻辑判断能力和批判性思想令她远近闻名。\nVialka hail from deepest France, via everywhere and nowhere. They are a devilishly high-spirited guitar\u002Fdrums duo who tour hard and fast across the world. Their music skips joyfully across borders, channeling desert blues, Chinese folk songs, scatter rock and European gypsy song dynamics in a whirlwind of dervish energy. Their endless gypsy punk folk rock tales, hard hitting poly-rhythms and yelps and howls make for a danceable and intoxicating brew. Like A Hawk And A Hacksaw or The Ex their openness to new sounds and cultures makes you feel alive and shows that 'world punk rock' need not be a dirty phrase.\nThe dynamic duo of Marylise Frecheville and Eric Boros have been lugging their nomadic turbo folk sound and modus vivendi all over the planet since the turn of the century, originally as the rhythm section of the performance striptease jazz-punk trio NNY, and since 2002 as Vialka. They have resided in Switzerland, Slovenia, Canada, and are currently calling a remote village in France their home between tours. Deriving its influences from traditional and modern underground music from around the globe, Vialka's music is based on the frenetic interaction between Marylise's syncopated drumming and singing and Eric's orchestral guitar playing - and is delivered with ecstatic energy, humor, lust for life, and a sophisticated musical language and subliminal connection all their own.\nAfter releasing their first two albums "Tonight I Show You F**k" (2002) and "Republic Of The Bored & Boring" (2003) on the mysterious Manufracture label, they founded the "VIA" nonprofit cooperative for the production and promotion of working artists (officially the Vialka Association 1901) and henceforth began releasing their own material: "Everywhere And Nowhere" (2004), a video documenting their work together over the first five years; "Curiosities Of Popular Customs" (2005), their first full-length recording; a split disc with the Israeli "klezmercore" combo Kruzenshtern I Parohod (2006 - co-released with Auris Media in Israel); "Plus Vite Que La Musique" (2007); and their latest album "Succès Planétaire International" (2009 - co-released with Dual Plover in Australia) - their third recording with Bob Drake.\nVialka is not just a musical project, but a social scientific experiment, attempting to meet, communicate and work with extraordinary and little known musicians and artists from everywhere and nowhere - with particular interest in polluted dictatorships, bleak colonies, and monarchic democracies. They have toured extensively in over fifty countries (100+ concerts per year) across Europe, Africa, North America and Asia, and have collaborated with Chinese musician Xiao He, French mbira player\u002Fdrummer Andrew Dymond, Italian saxophonist Jacopo Andreini, Macedonian artist collective OPA, Swiss cinematographer Sébastien Riond, French eco-designer Cédric Carles, the legendary former-CAN singer Damo Suzuki, and New Zealand drummer Kieran Monaghan.\nEric Boros (Erik Boroš) began his musical career as a school fanfare trumpetist at a early age. Since then he has performed numerous times in many different nation states around the world, and has participated in a plethora of phonographic recordings - despite having crumpled his trumpet long ago in a fit of rage. Self-taught composer and improviser, he plays baritone and standard acoustic and electric guitars, jaw harp, and is notorious for his dissonant vocal crooning and caterwauling. Although he claims to live without electricity or any modern appliances (other than his solar-powered shortwave radio and guitar amplification devices), he is an atavistic electrician, and has used this unskill to construct electronic gadgets to generate accompaniment frequencies to his symphonic pieces. Boros is reputed to be living in seclusion on an island (or is it a mountain?), but travels regularly by kayak, bicycle, train, and various other forms of public transportation for Vialka repetitions and tours. He is a proud parent, breath-air-ian, book reader, practicing pacifist, and tea-drinker.\nMarylise Frecheville was put on stage when she was three years old and became addicted to it. After questioning her academic training in dance, drama and piano, she joined her first "rebel-without-a-cause" teenage garage band in 1993 - playing keyboards, singing out-of-tune, and eventually beating the skins. After delving in Art-Nouveau architecture (with a degree from Lille Régions Nord University of Architecture, France), running after rabbits, and boozing until brain failure, she returned to the stage on drums and classical percussion (studies at the Victoria Conservatory of Music, Canada) - constantly pushing insanity and constipation further away. Frecheville suffers from an acutely selective memory, but this this has yet to prevent her from being extremely prolific; composing music, writing lyrics, rehearsing, improvising, and performing her lurid dances, intricate drum beats, and bewitching serenades with Vialka on a near daily basis. Marylise is also a proud parent, enjoys cooking with cream, and is an avid walker.
