歌手资料
The Fall Of Every Season
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这张是让人坐下并放松，闭眼并被声音静静带走的专集，温煦的洗涤着心灵的Doom Metal。绝望，无助；落光叶子的树，望不穿，哀伤紧随；一切带着灰色，带忧郁的味道。\r\n\r\nThis is a beautiful album to sit back and relax, close your eyes and be led away on enchanting sounds; the caressing purification that eminent doom metal has to offer. You can see it by only looking at the grey artwork: a desperate, helpless individual; bare trees in a disconsolate scenery; everything breathes melancholy. This is a one-man-project of Norwegian Marius Strand who composed everything and recorded it at his home studio: vocals (profound grunts as well as clean, drawling vocals), electric and acoustic guitars, piano, bass, drums and programming. \r\n\r\nIt all started in Autumn 2004. Marius left Nyctanthous and got the idea to create calm, melancholic music from then on. Yet it had to preserve a certain degree of brutality. With proper doom\u002Fdeath metal as result, nothing new, but this 'From Below' ended up being a must for every fan of Opeth, Anathema, Draconian and Saturnus. His music surely had some potential, which is what Marius experienced when he spread the fourteen minutes long 'Her Withering Petals' over the internet. The positive response caught the attention of Aftermath and that label released the debut album 'From Below' in January 2007. Five extended doom epics, of which three exceeded a length of ten minutes. Delicious! \r\n\r\nThe songs are connected to each other through a concept story about ruined relations and what follows. 'From Below' opens up with obscure sounds and acoustic, soaring guitars. Ponderous doom riffs join in and are relished with low, powerful grunts. Later on we get some clean vocals too, with a dreamy tinge and a bit along the lines of Anathema and even Radiohead. Acoustic guitars and common vocals are featured in 'Sisyphean'. The thirteen minutes long 'The Triumphant Beast' has this alternating heavy doom patterns with softer fragments as well, when instrumentation and vocals have an introvert nature. Piano notes create a contemplative atmos
这张是让人坐下并放松，闭眼并被声音静静带走的专集，温煦的洗涤着心灵的Doom Metal。绝望，无助；落光叶子的树，望不穿，哀伤紧随；一切带着灰色，带忧郁的味道。\r\n\r\nThis is a beautiful album to sit back and relax, close your eyes and be led away on enchanting sounds; the caressing purification that eminent doom metal has to offer. You can see it by only looking at the grey artwork: a desperate, helpless individual; bare trees in a disconsolate scenery; everything breathes melancholy. This is a one-man-project of Norwegian Marius Strand who composed everything and recorded it at his home studio: vocals (profound grunts as well as clean, drawling vocals), electric and acoustic guitars, piano, bass, drums and programming. \r\n\r\nIt all started in Autumn 2004. Marius left Nyctanthous and got the idea to create calm, melancholic music from then on. Yet it had to preserve a certain degree of brutality. With proper doom\u002Fdeath metal as result, nothing new, but this 'From Below' ended up being a must for every fan of Opeth, Anathema, Draconian and Saturnus. His music surely had some potential, which is what Marius experienced when he spread the fourteen minutes long 'Her Withering Petals' over the internet. The positive response caught the attention of Aftermath and that label released the debut album 'From Below' in January 2007. Five extended doom epics, of which three exceeded a length of ten minutes. Delicious! \r\n\r\nThe songs are connected to each other through a concept story about ruined relations and what follows. 'From Below' opens up with obscure sounds and acoustic, soaring guitars. Ponderous doom riffs join in and are relished with low, powerful grunts. Later on we get some clean vocals too, with a dreamy tinge and a bit along the lines of Anathema and even Radiohead. Acoustic guitars and common vocals are featured in 'Sisyphean'. The thirteen minutes long 'The Triumphant Beast' has this alternating heavy doom patterns with softer fragments as well, when instrumentation and vocals have an introvert nature. Piano notes create a contemplative atmos
